Publications In Press

In Press

581. Simonton, D. K. (in press-a). Age and creative productivity. In E. G. Carayannis (Editor-in-chief), Encyclopedia of creativity, invention, innovation, and entrepreneurship (2nd ed.). New York: Springer.

582. Simonton, D. K. (in press-b). Creative productivity across the lifespan. In J. A. Plucker (Ed.), Creativity & innovation: Theory, research, and practice (2nd ed.). Waco, TX: Prufrock Press.

583. Simonton, D. K. (in press-c). Eminent creators: Early experiences and adult achievement. In S. W. Russ, J. D. Hoffmann, & J. C. Kaufman (Eds.), Cambridge handbook of lifespan development of creativity. New York: Cambridge University Press. ABS

584. Simonton, D. K. (in press-d). From everyday creativity to eminent cases of creative achievement in professional domains. In T. Lubart, M. Botella, X. Caroff, C. Mouchiroud, J. Nelson & F. Zenasni (Eds.), Homo creativus: The 7 C’s of human creativity. New York: Springer.

585. Simonton, D. K. (in press-e). Giftedness from the perspective of research on genius: Some precautionary implications. Gifted Education International.  ABS

586. Simonton, D. K. (in press-f). Historiometric methods. In M. Nadal & O. Vartanian (Eds.), The Oxford handbook of empirical aesthetics. New York: Oxford University Press. Online.  ABS

587. Simonton, D. K. (in press-g). The question: Has the concept of creativity become corrupted? No! Royal Academy of Arts Magazine.

588. Simonton, D. K. (in press-h). Scientific creativity as combinatorial process. In E. G. Carayannis (Editor-in-chief), Encyclopedia of creativity, invention, innovation, and entrepreneurship (2nd ed.). New York: Springer.

589. Simonton, D. K. (in press-i). Serendipity and creativity in the arts and sciences: A combinatorial analysis. In W. A. Ross  & S. Copeland (Eds.), The art of serendipity: insight, innovation and inspiration. London: Palgrave Macmillan.  ABS

 


The above list includes all in-press items for which copyright forms and/or contracts have been signed.  Excluded are unpublished papers and commissioned chapters or submitted manuscripts that have not yet received formal acceptance.

“Online first” items are retained as “in press” until the bibliographic details are fixed (e.g., date, volume, and page numbers for journal articles). That precaution avoids having to make substantial revisions to “in print” publication lists. After all, a year or more may separate “online first” and actual “in print” publications. 

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